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At the beginning of the 20th century, Europe is living in peace and prosperity. The “Belle Époque” is an outgrowth of previous important historical events and developments. The networks that are created and which evolve funnel both people and their products, tangible and intangible. It is within this multi-layered world that sound recording and sound reproduction is invented. Early record labels send mobile crews literally all over the world to record local musicians. The range of the repertoire is endless. Cosmopolitanism in large urban centers favors polystylisms and polymorphisms. Colonialism, revolutions, conflicts, refugee flows; the theater, cinema, radio, photography, orchestras’ tours, but also circulations in all kinds of commercial channels in a world that evolves dynamically and anisotropically, form a complex network of “centers” and “peripheries” in alternating roles setting musical idioms in motion, both literally and figuratively. The networks in which the Greek-speaking musics participate, constantly conversing with their co-tenants, are magnificent. Discography has already provided important tools in understanding the relationships that developed between “national” repertoires. The result of this ongoing research is “Cosmopolitanism in Greek Historical Discography”.
The song "Ap' to vrady os to proi" is a reissue of the recording "Eimai prezakias", made in Athens, on November 21, 1934 by Roza Eskenazy, (His Master's Voice OGA 23-1 – AO 2179). The song was also released by RCA Victor (RCA Victor 38-3131-A) under the title "Ap' to vrady os to proi".
The song, composed by Sosos Ioannidis and lyrics written by Aimilios Savvidis, who sign under the nicknames S. Psyriotis and N. Deltas respectively, was also recorded by Anna Pagana (Politissa), in 1934, in Athens, under the title "Eimai prezakias" (Columbia CG 1086 – DG-6064).
To the tune of this song, creators released another version with differrent lyrics. It is the song "Magissa matsaragkissa", which was recorded by Kitsa Korina, in 1935, in Athens (Odeon Go 2275 – GA-1850/A 190665 a).
Charis Alexiou sang again with great success this version of the song ("Charis Alexiou–24 tragoudia", Minos, LP album MSM 316, Athens, 1977) by changing the lyrics about addictive substances and under the title "Ouzo otan pieis (Diki mou einai i Ellas)".
Although no recordings of the song have been found in the historical discographies of other ethno-cultural groups, it is extremely interesting that the song appears in the contemporary discographies of nine countries between 2005 and 2022. Remarkably, except for one Turkish and one French cover, the song is sung in Greek.
Starting from Turkish discography, in 2005, Orhan Osman and Funda Güllü recorded in Greek the song "Ime prezakias" (CD "Maziden", Doublemoon - DM0031). Four years later, the song was recorded in Turkish under the title İme Prezakias Çiftetellisi (Hallaç Rüstem)" (CD "7 Kocalı Hürmüz Orijinal Film Müzikleri", Kalan) by Öner Erkan for the soundtrack of the Turkish film "7 Kocali Hürmüz".
In 2006, the American group Kruziki Transatlanica Quintet recorded in the USA "Ime prezakias" (CDr "Tierrita", self-released). In 2008, the instrumental song "Ime prezakias" recorded by the New York brass band Hungry March Band (CDr "Suspicious Package (Roll Out the Poncho)", self-released).
In 2011, the group The Rembetika Hipsters, in which Greeks also participate, recorded the song in Calgary, Canada, under the title "I am an addict-Eimai prezakias" (CD "Kafeneion", Socrates Pizza Records SPR003).
Since around 2012, the Australian band Dead Can Dance has included the song in their repertoire, playing it during their live performances (see here, for example), and it is also included on several of the band's unofficial record releases (see here).
The song appears in an instrumental form in Russian discography as well. Specifically, it was included under the title "И мэ прэзакиас / Ime prezakias" in the CD "Лакоча" (Отделение ВЫХОД Β328) released by the band of the same name Лакоча in 2012.
In 2013, the Dutch band Parne Gadje recorded "Ieme prezakias"(CD "Po Drom", Smoked Recordings SR016).
In the same year, the song also appeared in French discography. The group Taraf Dékalé, one of the bands of the music collective La Compagnie du Tire-Laine, based in Lille, France, recorded "Ime prezakias" (CD "Terra Mektoub", Compagnie du Tire-Laine). In 2021, Nathalie Joly and Thierry Roques recorded the song in Greek and French under the title "Ime Prezakias - Je Suis Un Junkie" (CD "Chansons D'Aller - Retour", Frémeaux & Associés – FA 8585).
In 2019, the Polish group Skolias & Bester, consisting of Gorgos Skolias (of Greek origin) and Polish accordionist Jaroslaw Bester, recorded in Warsaw, in Greek language, the song "Ime prezakias". It is included in the CD "Rebetiko Poloniko" (For Tune 0142 023), with arrangements of twelve rebetiko songs.
In 2022, the Italian group Fan Chaabi recorded, also in Greek, "Ime prezakias" (CD "Tetraktys", Visage Music –VM3046).
Research and text: Leonardos Kounadis and Nikos Ordoulidis
Tags: Interactions with French repertoire, Cosmopolitanism, 1930s, Recordings in Athens, Interactions with Italian repertoire, Social criticism, Rebetiko, Interactions with Russian repertoire, Interactions with Turkish repertoire, Songs about substances, Tsifteteli, Interactions with USA repertoire, Interactions with Polish repertoire, Orthophonic, Interactions with Dutch repertoire, Interactions with Australian repertoire
At the beginning of the 20th century, Europe is living in peace and prosperity. The “Belle Époque” is an outgrowth of previous important historical events and developments. The networks that are created and which evolve funnel both people and their products, tangible and intangible. It is within this multi-layered world that sound recording and sound reproduction is invented. Early record labels send mobile crews literally all over the world to record local musicians. The range of the repertoire is endless. Cosmopolitanism in large urban centers favors polystylisms and polymorphisms. Colonialism, revolutions, conflicts, refugee flows; the theater, cinema, radio, photography, orchestras’ tours, but also circulations in all kinds of commercial channels in a world that evolves dynamically and anisotropically, form a complex network of “centers” and “peripheries” in alternating roles setting musical idioms in motion, both literally and figuratively. The networks in which the Greek-speaking musics participate, constantly conversing with their co-tenants, are magnificent. Discography has already provided important tools in understanding the relationships that developed between “national” repertoires. The result of this ongoing research is “Cosmopolitanism in Greek Historical Discography”.
The song "Ap' to vrady os to proi" is a reissue of the recording "Eimai prezakias", made in Athens, on November 21, 1934 by Roza Eskenazy, (His Master's Voice OGA 23-1 – AO 2179). The song was also released by RCA Victor (RCA Victor 38-3131-A) under the title "Ap' to vrady os to proi".
The song, composed by Sosos Ioannidis and lyrics written by Aimilios Savvidis, who sign under the nicknames S. Psyriotis and N. Deltas respectively, was also recorded by Anna Pagana (Politissa), in 1934, in Athens, under the title "Eimai prezakias" (Columbia CG 1086 – DG-6064).
To the tune of this song, creators released another version with differrent lyrics. It is the song "Magissa matsaragkissa", which was recorded by Kitsa Korina, in 1935, in Athens (Odeon Go 2275 – GA-1850/A 190665 a).
Charis Alexiou sang again with great success this version of the song ("Charis Alexiou–24 tragoudia", Minos, LP album MSM 316, Athens, 1977) by changing the lyrics about addictive substances and under the title "Ouzo otan pieis (Diki mou einai i Ellas)".
Although no recordings of the song have been found in the historical discographies of other ethno-cultural groups, it is extremely interesting that the song appears in the contemporary discographies of nine countries between 2005 and 2022. Remarkably, except for one Turkish and one French cover, the song is sung in Greek.
Starting from Turkish discography, in 2005, Orhan Osman and Funda Güllü recorded in Greek the song "Ime prezakias" (CD "Maziden", Doublemoon - DM0031). Four years later, the song was recorded in Turkish under the title İme Prezakias Çiftetellisi (Hallaç Rüstem)" (CD "7 Kocalı Hürmüz Orijinal Film Müzikleri", Kalan) by Öner Erkan for the soundtrack of the Turkish film "7 Kocali Hürmüz".
In 2006, the American group Kruziki Transatlanica Quintet recorded in the USA "Ime prezakias" (CDr "Tierrita", self-released). In 2008, the instrumental song "Ime prezakias" recorded by the New York brass band Hungry March Band (CDr "Suspicious Package (Roll Out the Poncho)", self-released).
In 2011, the group The Rembetika Hipsters, in which Greeks also participate, recorded the song in Calgary, Canada, under the title "I am an addict-Eimai prezakias" (CD "Kafeneion", Socrates Pizza Records SPR003).
Since around 2012, the Australian band Dead Can Dance has included the song in their repertoire, playing it during their live performances (see here, for example), and it is also included on several of the band's unofficial record releases (see here).
The song appears in an instrumental form in Russian discography as well. Specifically, it was included under the title "И мэ прэзакиас / Ime prezakias" in the CD "Лакоча" (Отделение ВЫХОД Β328) released by the band of the same name Лакоча in 2012.
In 2013, the Dutch band Parne Gadje recorded "Ieme prezakias"(CD "Po Drom", Smoked Recordings SR016).
In the same year, the song also appeared in French discography. The group Taraf Dékalé, one of the bands of the music collective La Compagnie du Tire-Laine, based in Lille, France, recorded "Ime prezakias" (CD "Terra Mektoub", Compagnie du Tire-Laine). In 2021, Nathalie Joly and Thierry Roques recorded the song in Greek and French under the title "Ime Prezakias - Je Suis Un Junkie" (CD "Chansons D'Aller - Retour", Frémeaux & Associés – FA 8585).
In 2019, the Polish group Skolias & Bester, consisting of Gorgos Skolias (of Greek origin) and Polish accordionist Jaroslaw Bester, recorded in Warsaw, in Greek language, the song "Ime prezakias". It is included in the CD "Rebetiko Poloniko" (For Tune 0142 023), with arrangements of twelve rebetiko songs.
In 2022, the Italian group Fan Chaabi recorded, also in Greek, "Ime prezakias" (CD "Tetraktys", Visage Music –VM3046).
Research and text: Leonardos Kounadis and Nikos Ordoulidis
Tags: Interactions with French repertoire, Cosmopolitanism, 1930s, Recordings in Athens, Interactions with Italian repertoire, Social criticism, Rebetiko, Interactions with Russian repertoire, Interactions with Turkish repertoire, Songs about substances, Tsifteteli, Interactions with USA repertoire, Interactions with Polish repertoire, Orthophonic, Interactions with Dutch repertoire, Interactions with Australian repertoire
© 2019 KOUNADIS ARCHIVE
